That shit was always objectively a bad idea, anyone who bought into streaming games should never have been allowed to be in charge of their own money to begin with.
I’ve only got a little bit into the game so far and man everything about the game just hits home. If it were just a bit bigger or more freeform it might have been my favorite. I love the weird but recognizable world! Reading letters that sound like they could be straight out of our future hit really well.
Unfortunately it trails a bit behind Seasons A Letter To The Future for me though because it’s less open.
Absolutely Cassette Beasts. An amazing monster tamer and the ost is easily better than anything else this year and that’s just an objective fact.
Rogue Trader was fun and while I’m not a 40k guy the setting and system didn’t hurt the game like DnD did to BG3.
Season A Letter To The Future was a great game too, about cataloging a small slice of the world before the kinda event that marks a ‘before’ and an ‘after’ in history.
Saw someone else mention juscant and it’s up there on the list too, i wish it was just a little more open or freeform.
The textures are so not worth the space. Sounds? Sure, we are still making progress with audio design that can be noticed and enjoyed. Graphics? We are way passed the point where we can meaningfully improve on those without making concessions that just aren’t worth it.
I figured this would be about the games themselves (not that they are actually good this year), weird. Do people really get hyped about ads? I’m subbed to the YouTube channels that the games i want to play will announce on, why would i care about ads in an event that is supposed to be it’s own thing? Is this how it feels to be out of touch?
I miss zenonzard personally, a card game that wasn’t a straight mtg clone (or worse) or stupidly simple (fuck hearthstone, all my homies hate hearthstone). All the good games die while fucking candy crush lives on.