I think a large part of people’s issues with the recent trend of adapting/recreating existing media is how the director changed the intent or “soul” of the work.
A story is more than its plot points. It’s how The Lion King and Hamlet have the same story bones, but have wildly different morals and audiences. So when a work is adapted for a different medium, stripping it down to its plot points kinda kills the soul of the work. The Avatar animated series and the movie (that doesn’t exist) share a lot of plot points, but the movie is clearly soulless because they didn’t understand what made the show great, and just retold the story with a slight spin.
The Last of Us worked so well because they understood why it was good, and only made changes “in the spirit” of the original work. They didn’t try to put a spin on the story, they just adapted it for the new medium.
That’s why understanding the work is so important when you are adapting it to a different medium. If you just transplant the plot points without understanding what makes it good, it’s going to be soulless. If you try to just use the characters and setting to tell a different story, it’s also going to be soulless because those characters aren’t made to tell that story. Make your own characters and tell your own story if you don’t want to stick to the spirit of the original work.
I started writing an “here’s why I disagree” reply, but I slowly realized that I kinda agree. Sword Art Online was a pretty bad anime, but SAO Abridged used the same characters and plot points to tell a different type of story and was absolutely terrific
I think the main problem I have is with the scale. If you’re remaking something, and you’re expecting more people to see the new thing than saw the original, then you should stay faithful to the original (not shot for shot remake, but keep things as close as reasonable) I think I feel this way because if I were an author, I’d be crushed if more people saw the bastardized version of my life’s work than saw my original.
There is also the issue with a large majority of recent remakes being quick cash grabs. These do nothing but tarnish the original work by driving away people who may have eventually seen the original.
No thank you (lemmy.world)
From the Outlook Android app
The Witcher author says he's never played the games that cemented his fame: "I have no time for this, and it's not entertainment for me" (www.gamesradar.com)
Gabe Newell on why game delays are okay: 'Late is just for a little while. Suck is forever.' (www.pcgamer.com)